This book is a hard one for me to review, partly because, what with one thing and another, it took me a lot longer to read than most books normally do, and partly because I have always had a hard time deciding whether I like it or not. It is one of those rare books that I have trouble remembering much about--no matter how many times I have read it, only certain elements of the story, most incidental to the plot, ever stick with me, and they carry with them no context by which I can later evaluate how the overall narrative made me think or feel. Given my extensive memory, especially for books I have read, this is a rare occurrence, and it almost says more about how I feel about the story itself than a review of the book itself could.
I believe that most of the blame for the story's lack of a "sticky" plot falls on its main character, Shadow. Shadow is an ex-con who gets out of prison a few days early in order to attend his wife's funeral. While traveling home, he meets a man named Wednesday, who turns out to be the Norse god Odin, and agrees to work for him. In the process of traveling with Wednesday and working for him, Shadow meets a number of other gods, old and new, and finds out that they are at war with one another. Shadow helps bring them all together for the war, has a few crazy adventures himself, and ultimately learns a lot about his own past and uses his newfound position and knowledge to bring the conflict to a somewhat satisfying end.
I love this book for its portrayal of the gods, its stories of their histories, its explanations of their motivations, and, especially, its reasoning of how they all came to America in the first place and why they are so unsettled here, in their secondary home, when they were so stable in their countries of origin. Unfortunately, Shadow lacks everything that the gods have when it comes to characterization, personality, and relatability. Over the course of the story, it becomes clear that his expressionless, monosyllabic woodenness is his character, but there is no doubt in my mind that it is also the reason why I find the overarching plot of this novel to be so entirely forgettable, even though there are elements of it that I can never seem to forget.
That doesn't make it a bad novel, though. Neil Gaiman is one of my favorite authors specifically for his unconventional takes on classic stories and story tropes, and his portrayal here of the gods of the myths and legends that I grew up reading speaks to the heart of my love for the stories inherent in all mythologies and religions. That the gods of those old religions, upon being invoked by their followers when they came to this new world, would manifest here in America and be shaped by its unique history and culture is a fascinating thought, and to see them warring against the modern gods of technology, industry, and capitalism, neither side wanting to recognize that they are not in control of their own rise to power or obsolescence, makes for biting social commentary, even more-so now than it did ten years ago when this book was first printed. And it is that story--the story of the gods and their fight for relevance in a country and a world that so easily casts one idea aside for another--that brings me back to this book over and over again. It may be that writing this review cements the story enough in my mind that I won't forget it this time around, but I don't think that will stop me from picking it up in another five years, or ten, or twenty, because even though the need to believe in the gods of old has been lost, their stories and the history that they represent will always shape our present and our future.
Two random notes:
- One of the pivotal scenes early in the book takes place at a somewhat-well-known roadside attraction called the
House on the Rock. Because I am a fan of extremely bizarre and random coincidences, I am going to use that fact as an excuse to share with you my absolute favorite podcast ever, because--completely coincidentally--the day after I finished reading the section of the book that talked about the House on the Rock, that podcast had an awesome verbal walkthrough of the bizarre attraction. As a result, the House on the Rock is now on my list of "Things to See Some Day," and if you want to hear that bizarre description for yourself, go to
the Geologic Podcast website, scroll down to
episode #258 (or just follow the links), and listen to the first fifteen minutes or so of the show.
- The version of
American Gods that I am reviewing here is the Tenth Anniversary Edition, Author's Preferred Text. I am not sure what was changed within this edition from prior versions--though I doubt it was anything significant--but if you are planning on reading this book based on my recommendation, I definitely recommend this edition if only for the introduction by the author, which will give you some really good backstory on him and on where his ideas for the book came from. Enjoy!
American Gods, the Tenth Anniversary Edition, by Neil Gaiman
